![]() More than 100 people were killed in a quake in southern Taiwan in 2016, while a 7.3 magnitude quake killed more than 2,000 people in 1999. Taiwan lies near the junction of two tectonic plates and is prone to earthquakes. BEIJING (AP) At least 46 people were reported killed and 16 missing in a 6. Taiwan Semiconductor Manufacturing Co (TSMC) (2330.TW),, the world's largest contract chipmaker, said there was "no known significant impact for now". stretches of Sichuan province that were stricken by Mondays magnitude-7.9 quake, Chinas deadliest in three decades. Based on the analysis of pre-seismic deformation data from China, the USA. Science parks in the southern cities of Tainan and Kaohsiung, home to major semiconductor factories, said there was no impact on operations. Improved understanding of deep earthquake dynamics has become a research focus 3. Buildings shook briefly in the capital Taipei, and aftershocks have continued to jolt the island. The quake could be felt across Taiwan, the weather bureau said. Japan's weather agency lifted a tsunami warning for part of Okinawa prefecture. 1 Earthquakes in the loess plateau where residents lived in yaodong caves tended to have big casualties, including the 1303 Hongdong and 1920 Haiyuan earthquakes. The deadliest was the 1976 Tangshan earthquake with 300,000+ deaths. The campaign starts February 15th and runs until February 22nd. ![]() Pacific Tsunami Warning Center issued a warning for Taiwan after the tremor but later lifted the alert. China has been the location of some of the most deadly earthquakes in history. CTT Correios de Portugal has announced that they have joined the Turkish embassy in a solidarity campaign to collect goods to help victims of the earthquake in the country. More than 600 people are trapped on the scenic Chike and Liushishi mountain areas by blocked roads, though there were no injuries and rescuers were working to reopen the roads, the department said.
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PM 2.5 PM 10 Ozone Nitrogen Oxides (NO) Carbon Monoxide (CO) Sulfur Dioxide (SO2) Temperature Relative Humidity Wind Solar Radiation. ![]() ![]() The sleek and stylish rooftop is perched on the 118th floor of the luxurious hotel Ritz Carlton, located right by the water on West Kowloon (and almost impossible to miss anywhere in HK). The report covers an in-depth analysis of the market composition along with a forecast of the various component and sub-segments of the Ozone Disinfection. Cache Carbon Davis Duchesne Iron Salt Lake Tooele Uintah Utah Washington Weber / Box Elder. The site to which you will be transferred is not part of the The Ritz-Carlton website and the presence of this link on the The Ritz-Carlton website does not mean that The Ritz-Carlton Hotel Company, L.L.C. Ozone at the Ritz Carlton is the highest rooftop bar in the world, serving drinks and bites at an impressive altitude of 480 meters. By clicking on the 'Accept' button below, you acknowledge that you will be leaving the website. If you’re looking to buy a full suite of music production apps, you can get Reaktor 6 as part of the Komplete bundle. In addition, you can use it to update any app and check the version numbers of your NI apps. This app is a centralized app that allows you to manage and activate all NI apps you own. In addition, macOS will also support AU for Reaktor 6.īefore you install Reaktor 6, you will need to install the Native Access app. For the supported interfaces, both macOS and Windows support VST and AAX. To activate Reaktor 6, you need a graphics card supporting OpenGL 2.1 or higher. Windows 10 with the latest service pack, Core i5 or equivalent processor, and 4 GB of RAM. Version 10.14, 10.15, or 11, i5 processor and at least 4 GB of RAM. To use Reaktor 6, you need to have a computer running the following operating systems. Nonetheless, you get a similar experience when using the Reaktor 6 Player. It is pretty much the same as the paid version, but with some limitations on features, which this article shall discuss later. The Reaktor 6 Player is the f ree or demo version of Reaktor 6. If you’re using an older version of Reaktor, you can upgrade for only $99. There’s an option to download a demo version, or you can purchase the full version for $199. You can get Reaktor 6 on the Native Instruments website. In September 2015, NI launched Reaktor 6, which included the Modules feature that made Reaktor 6 similar to rackmount modular synthesizers. Together with Martijn Zwartjes, Zavalishin focused on improving Reaktor by including better DSPs and modules. Reaktor 5 was conceived and launched in April 2005 after NI hired Vadim Zavalishin, who developed the Sync Modular app. Reaktor 4 was released later with a more stable system and wider library. In version 3.0, which was launched in 2001, NI developed a new audio engine and interface, which was used as the basis of what Reaktor uses today. In 1999, NI released Reaktor 2.0, which included displays of real-time effects, wider plugin support, and compatibility for Windows and Mac OS. Two years later, NI reconfigured the app to allow the use of third-party sound cards. NI started its journey in modular synthesizers in 1996 with Generator, which was designed for Windows and used a specific sound card designed by the company. Comparing the cost of buying a MIDI controller and Reaktor 6 versus a modular synth and synthesizer combo, the cost of Reaktor 6 is still cheaper. ![]() There are also not many modular synth plugins and standalone apps in the market today. Moreover, at $199, you’re getting your money’s worth, considering the possibilities you get with the millions of routing combinations you can have. Reaktor 6 is worth it today, as it continues to offer much user-generated content to expand your current library. To apply for one of our degree programmes, US students must attend our UK campus in London.9 Readings that you may like: Is Reaktor 6 worth it today? If you want access to the best lecturers, the best facilities and the best connections out there, then join Point Blank’s global community now and step inside the music industry. Our studios feature top industry standard equipment including an SSL Duality Delta desk, Audient 48 Channel desk, TLAudio and Oram mixing desks, Ableton Push and Native Instruments Maschine controllers, Komplete Kontrol keyboards, the latest Pioneer DJ and Roland gear and a lot more. Students in London have access to our state-of-the-art studios and Mac suites (with Logic Pro, Ableton Live and Pro Tools installed) during opening hours. Point Blank has become a world-renowned home for music education, and has now taught over 50,000 students how to make their mark in music. Our courses cater for all music industry careers, so if you’re looking to become a music producer, sound/recording engineer, artist manager, tour manager, booking agent, TV/film or game music composer, music arranger, performing vocal artist, DJ, label manager, A&R manager or any other professional within the world of music, then Point Blank Music School is the place to be. We also run a wide range of diplomas, certificates and short courses across our schools in London, Los Angeles, Ibiza, China, Mumbai and online. We run three-year, and two-year (accelerated) university-level degree programmes* in person and online in music production, sound engineering, DJ performance, vocal performance, music industry management, and radio, audio and podcasting. Shortlisted for Best Specialist Institution 2022 by WhatUni, Point Blank Music School in London offers a range of bachelor’s degree courses to those with a passion for music and the industry. Other modifications to the airframe design were mostly limited to minor improvements and some strengthening in order to cope with the increased weight of the aircraft. The floats were extended forward by some three feet (0.9 m) while longer than their predecessors, they were streamlined and had a smaller frontal area. Mitchell decided to use the aircraft's floats as an additional radiator area these were longer than those of the S.6, their design being supported by a series of wind tunnel tests performed at the National Physical Laboratory, which was also an area in which government support was helpful to the project. Mitchell retained the majority of the S.6's design, his efforts being principally focused on improving the prospective aircraft's heat dissipation speaking on a radio broadcast, he later referred to the S.6B as a "flying radiator". Instead, he refined the design of the existing Supermarine S.6, the new variant being referred to as the Supermarine S.6B. To improve the engine performance, the use of an exotic fuel mix was necessary, as well as the adoption of sodium-cooled valves. Engineers at Rolls-Royce had managed to increase the available power of the engine by 400 hp (298 kW), enabling it to now provide up to 2,300 hp (1,715 kW) however, this level of performance was only guaranteed for a short time. The obvious means of improving the S.6's performance was by obtaining more power from the R-Type engine. Mitchell, with limited time to prepare an entry, knew that there was not enough time left to design a new aircraft from scratch. Supermarine S.6B displayed at the London Science Museum The RAF High Speed Flight was reformed while Mitchell and Rolls-Royce set to work. ![]() The British government also changed its position and announced its support for an entry in January 1931 however, by this point, there were less than nine months left to design, produce and prepare any race entrant. As ever active in aviation affairs, Lord Rothermere's Daily Mail group of newspapers launched a public appeal for money to support a British race entrant in response, several thousand pounds were raised. The withdrawal of backing resulted in enormous public disappointment: having won two successive races, a British victory in a third race would secure the trophy outright. A committee established by the Royal Aero Club, responsible for organising the 1931 race, and which included representatives from both the aircraft and aero engine industries, was formed to discuss the feasibility of a privately funded entry, but concluded that not only would this be beyond their financial reach, but that the lack of the highly skilled RAF pilots of the High-Speed Flight would pose a severe problem. A further rationale given for the government's revised position was that that original purpose in pioneering high speed seaplanes had been satisfied by this point. George Stainforth, broke the world air speed record, attaining a peak speed of 407.5 mph (655.67 km/h).ĭespite the Prime Minister Ramsay MacDonald's pledge that government support would be provided for the next British race entrant immediately after Britain's 1929 victory, official funding was withdrawn less than two months later following the Wall Street Crash the official reason given for the withdrawal that the previous two contests had collected sufficient data on high speed flight, so further expenditure of public money was unwarranted. Shortly after the race, S.6B S1596, flown by Flt Lt. Flown by members of RAF High Speed Flight, the type competed successfully, winning the Schneider Trophy for Britain. ![]() A pair of S.6Bs, serials S1595 and S1596, were built for the competition. The principal differences between the S.6 and the S.6B were the increased power of the Rolls-Royce R engine and redesigned floats: minor aerodynamic refinements typically aimed at drag reduction were also made. Once government backing had been secured, there were only nine months before the race, so Mitchell's only realistic option was to refine the existing S.6, rather than attempting a new design. Despite these predecessors having previously won the Schneider Trophy competition twice, the development of the S.6B was hampered by wavering government support, which was first promised then withdrawn, and then given once more after a high-profile public campaign encouraged by Lord Rothermere and backed by a substantial donation by Lady Houston. The S.6B was last in a line of racing seaplanes to be developed by Supermarine, following the S.4, S.5 and the S.6. The S.6B marked the culmination of Mitchell's quest to "perfect the design of the racing seaplane" and represented the cutting edge of aerodynamic technology for the era. Mitchell for the Supermarine company to take part in the Schneider Trophy competition of 1931. The Supermarine S.6B is a British racing seaplane developed by R.J. It seems like we have been sentenced already. Unsurprisingly, the press conference was dominated by the allegations rather than Sunday's clash.Īddressing the Premier League's claims, the Spaniard said: "We are lucky we live in a country where everyone is innocent until proven guilty. Guardiola faced the media for the first time since the news broke ahead of this weekend's Premier League clash with Aston Villa at the Etihad Stadium. Boxing Star stats - Users & downloads analytics, Boxing Star competitors and market share, daily & historical ranking in Google Play Store, top keywords. 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On returns authorized past 30 days from purchase we reserve the right to give store credit instead of a refund (please reach out to confirm). We reserve the right to refuse a return on any orders after 30 days. All products we carry from other vendors such as NRG Innovations and LINK ECU are ineligible for return. We do not accept returned customized or made-to-order items such as chassis mount shifters, supreme OEM shifters, driveshafts, wiring harnesses, engine mounting kits, roll bars etc (please contact us if you are unsure if you part falls under this category). All clearance items are final sale and the buyer is responsible for confirming fitment of any application outside of stock configuration. We do not accept returns on clearance items. There is a 20% restocking fee on all returns. Returns must happen within 30 days of receipt of the item for a refund. BMW and M3 is a registered trademark of bmwag. Garagistic is in no way sponsored, endorsed or affiliated by or with BMW na / BMW ag or any of its subsidiaries or vendors. Our products are never to be used on public streets or highways. Garagistic products are intended for Off-Road use ONLY. We'll notify you via e-mail of your refund once we've received and processed the returned item. If you need to return an item, simply login to your account, view the order using the "Complete Orders" link under the My Account menu and click the Return Item(s) button. This time period includes the transit time for us to receive your return from the shipper (5 to 10 business days), the time it takes us to process your return once we receive it (3 to 5 business days), and the time it takes your bank to process our refund request (5 to 10 business days). You should expect to receive your refund within four weeks of giving your package to the return shipper, however, in many cases you will receive a refund more quickly. ![]() International orders that are refused will incur a return shipping fee which will be deducted from the refund. We'll also pay the return shipping costs if the return is a result of our error (you received an incorrect or defective item, etc.). You may return most new, unopened items within 30 days of delivery for a full refund. To reflect the policies of the shipping companies we use, all weights will be rounded up to the next full pound. The weight of any such item can be found on its detail page. Please also note that the shipping rates for many items we sell are weight-based. ![]() Depending on the shipping provider you choose, shipping date estimates may appear on the shipping quotes page. When you place an order, we will estimate shipping and delivery dates for you based on the availability of your items and the shipping options you choose. ![]() Note that there are restrictions on some products, and some products cannot be shipped to international destinations. We can ship to virtually any address in the world. If you have multiple items in your cart, the order can be disqualified from free shipping based on the total dimensional weight. Oversized items, overly heavy items such as but not limited to: body kits/panels, subframes, wheels, are examples of products that are not eligible. Does not apply for none Garagistic Manufactured Items. Free shipping only applies to certain products, not all products are eligible for free shipping. ![]() When I read that maraschino liqueur was an ingredient in the Last Word, I assumed the liqueur would be bright red and taste like cherries. They rebuilt their factory in Italy after the war and have continued producing maraschino liqueur to this day. They began production in what is now Croatia, but during World War II, their distillery was bombed. Only one family member survived and managed to escape with a cherry tree and the family recipe book. The current day version is actually based on a liqueur that was produced in convents in medieval times! Apparently monks and nuns really know their liquor, or more likely, have the patience to nurture the process of making a complex liqueur. The Luxardo family has been making maraschino liqueur since 1821 and selling it in it’s distinctive straw wrapped bottle. Maraschino liqueur is another liqueur that has been in production for hundreds of years. There is also a yellow chartreuse which is sweeter and has less alcohol content, 80 proof as opposed to 110 proof (!) for the green version. They capitalized on this and began selling a milder form of their medicine as a liqueur. The elixir was initially meant to be used for medicinal purposes, but the monks soon realized people were drinking it for pleasure. There are over 130 plants and herbs used in their process and only two monks at a time know the exact recipe! I’m assuming they don’t travel together. Look at the drink menu in your favorite cocktail bar, and you’ll probably see green chartreuse listed as an ingredient in a drink or two. Chartreuse is named for the order of monks in France who have distilled this “elixir” since the 1700’s. It’s a liqueur with a cult following and is definitely back in favor with bartenders. Green chartreuse is a vital ingredient in this drink. 35 cents, which made it the most expensive cocktail at the club. A menu from that year lists the cost of the drink at. This was a time of back alley, nondescript doors and secret passwords. When people had to risk jail time during Prohibition to have a drink, they wanted a strong one! The Last Word was created at the Detroit Athletic Club around 1916. This cocktail is from the gin-joint, speakeasy generation. Then again, you might have to refresh your memory if you enjoy more than one of these dangerously delicious cocktails! All of the ingredients are added in equal parts to your cocktail shaker, so you won’t need a recipe once you make your first Last Word. The Last Word vintage cocktail is really easy to make. Because these liqueurs also have very definitive flavors, the gin isn’t overpowering in the drink. Fresh lime juice brightens up the flavors and gives the drink a refreshing tartness. It’s poured like a martini and, be forewarned, it really packs a punch! The Last Word is a gin based cocktail that includes two must have additions to your bar: green chartreuse and maraschino liqueur. ![]() The Last Word is a Prohibition era cocktail that has complex flavors, is served super chilled and is perfect for sipping. The Last Word Vintage Cocktail is a 1920’s drink worthy of a comeback! Gin, green chartreuse, maraschino liqueur & fresh lime juice make a complex, delicious libation. ![]() When you read our reviews or check our top picks for cord-cutting products and services, you can trust that you're seeing the result of hours of testing and years of experience in the cord-cutting space. We make editorial decisions based on our expertise, first-hand experience, and informed opinions. We research options, new technology, share tips, review services, and more, at no cost to our readers. Until then I'm still using Mac with Reaper.Our goal at is to help people save money on the TV they love and access it on-the-go. In the meantime, waiting for a new Windows Laptop with thunderbolt to arrive here in NZ so I can plug my GSR24m into. I think I will need to A/B both systems, or I might put them side by side as I have a couple of those A&H QU16. Maybe.? it was just my enthusiasm of seeing Reaper run on Windows. I was stunned at the responsiveness with Reaper on Windows compared to the mac book Pro of which is an i7 with 8gig Ram 7200 hardrive. WOW! Windows (with Reaper) was unbelievably fast compared to the Mac book pro!? Unfortunately I had to midi map the keys. Then I got out my 2 old trusty laptops (an i7 Dell and i5 HP) (3 year olds running Win 7) with USB3 on the ports and plugged them up with the QU mixer and Windows with Reaper. ![]() However after using A&H QU digital mixer with Reaper which worked 'straight out of the box' (so long as one sets up the A&H DAW control it works flawlessly and just adored using Sound Forge of which I could fly around on PC on.īut I had to switch and learn Mac of which I'm still learning. SO I plugged in the A7H QU16 to my mac book pro Running Lion Surely not I thought? USB can only handle X amount of data where fire-wire was designed for streaming. Then along has come the Allen and Heath QU series of digital mixers with USB streaming.Īhhh (can you 'hear the smell' of freshly ground coffee and a smile on my face) USB!? gosh I only had fire-wire until now. I've had maybe only 2 crashes in all of those years. And I've often thought a little spungy like a rubber band? that swirling little coloured disc that spins. ![]() Although I'm sure a little slow at times? Used Reaper for about 3 years with MAC only with GSR24M because of fire-wire interface and wanting portability I have recently been using testing the Reaper software with both PC and MAC Is there a way to get it to act like Reaper with the mouse, modifiers and all? I didn't really get to like Logic's workflow. So yeah, despite some possible shortcomings of Reaper on OSX, I am now bound to OSX. with all those hiccups happening 7/10 times I'd hit play or record. I mean I could record for my self but to record anybody who was paying money, it'd be too embarrassing. This is equipment-based things so I'd imagine this would vary for others, but with my equipment, I couldn't run it on Windows smoothly. I had much better audio stability on OSX, pretty much the only reasonable stability. If you only mix, Reaper is completely fine, but can not compete with instruments etc. I am also doing video with FCPX, these products are better integrated. On Mac Logic X is almost for free and is a mature product thats supported by many vendors, HW and SW. On PC Reaper really became my favourite and was stable. This will normally not be a problem if you have a newer machine and not running a big project. It's just the peculiar issue that it loads the cpu somewhat more then on PC w.r.t. Overall I like Mac much better then PC, so anyway I will use Mac as the OS is much more stable. If some one can compare P11 and Reaper, it would be intresting.Īudio implementation on Mac is worse then om PC for Reaper. However, it consumes more cpu at lower buffer sizes, like 32 or 64. I have no gui issues with Reaper as other seems to have. Kind of a bummer, as I'd like to get back into Reaper. I also own Logic X and PT11 and don't have 'these' kinds of issues. I'm running an i7 iMac w/16 gb of RAM, OSX 10.9.2, Reaper 4.611, an Avid 11 rack as my interface, and an ext. issue on my machine, which I'm trying to look into, but it makes Reaper unpleasant (understatement) to use. If I go to another program for a minute or two (browser, for example) and come back to Reaper, audio is delayed about. The playhead is often 'ahead' of the audio.weird. they move smoothly for a second or two, and then momentarily pause before resuming. For instance, there are often visual 'hiccups' when moving faders, i.e. ![]() Just went back to it a couple of nights ago, and there are strange goings-on. I haven't been using Reaper lately, or anything else for that matter.busy. |
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